When Susan Retired Her Red Shawl

Today we commemorate the death of Susan B. Anthony.

According to Susan’s official biography, it was said that Washingtonians marked spring each year with two signs:  the return of Congress to the nation’s capital and the return of Miss Anthony in her red shawl to lobby Congress.

In her later years, the shawl was such a beloved trademark that when she stepped up on stage without it one day the newsmen ribbed her that they would not file their stories unless she wore it. She sent someone back to the hotel to fetch it. Only death could stop the indefatigable Anthony.

In 1906 (her 86th year), after making an earlier-than-usual visit to the capital, she contracted pneumonia and died at home on March 13. On her deathbed, she seemed to greet a parade of famous comrades with whom she had worked for universal suffrage. Together, they had labored long and hard and accomplished much, not only for women but for African-Americans. Still, the most precious right of female suffrage eluded her. Holding up her pinkie, she said to her lieutenant, Anna Howard Shaw, “Just think of it, I have been striving for over sixty years for a little bit of justice no bigger than that, and yet I must die without obtaining it.  Oh, it seems so cruel.”

The following is an excerpt from the New York Evening Journal’s testimonial upon Susan’s death:

No wrong under which woman suffered was too great for her to dare attack it, no injustice too small to enlist her pity and her attempt to remedy it.

She saw the tears of the slave mother with the child torn from her arms…and she was foremost among those who fought for freedom for the negro.

She saw women with great intellects starving for knowledge, and she fought to open the avenues of education to them. She saw the poverty of the sweat shop women..and she fought to better the conditions under which they worked. She saw the honor of the girl-child made the plaything of the debauchee, and she fought for laws for her protection. She saw the woman working by the side of the man for half the salary, and she fought for equal pay for equal work. She saw the intelligent, educated, tax-paying woman of the country classed by the law with the idiot, the criminal and the insane, and she died fighting, with her face to the foe, to have this monstrous injustice removed.”

Ida Husted Harper, Life and Work of Susan B. Anthony, vol III. Indianapolis: Hollenbeck Press, 1908

Photo courtesy of the Smithsonian

Gallop Across the Dance Floor, Anyone?

 

https://www.youtube.com/watch?v=sgcUhQyAJlo

This is a wonderful video of a 19th century dance. Read more about it below.

I first learned about a dance called the gallopade (or “gallop”) at a concert given by pianist Jacqueline Schwab, whose piano music was featured on Ken Burns’ documentary of the Civil War. Intrigued to see how it was done, I tracked down this video.

The gallopade, a very energetic dance, takes place at a ball in The Truth About Daniel. In this contemporary video, you can hear the laughter that naturally arises from this kind of happy exertion. Notice also that most of the dancers are young! When preparing to dance the gallop, Daniel Anthony, who is 40, searches the room for a young and fit partner.

Notice women dancing with women—this was often done when there were not enough men, which could certainly have been the case on Annie’s island during the Civil War, when many young men were serving on battlefields. In fact, just before a dance recital, Annie asks her best friend to save her a dance so she will not have to partner with a predatory man named Richie.

In this contemporary video, the style of gowns is appropriate to the mid-19th century when Daniel and Annie fell in love. You can see the outline of hoops beneath many of the full skirts, which bob along as the women move energetically across the floor.

Despite the fact that these dancers learned the nine movements of this dance that same day, they make it look effortless, don’t they?